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The Committee On Black Performing Arts (CBPA)

 In 1969, a group of Stanford students and East Palo Alto residents came together to form the Committee on Black Performing Arts (CBPA), a cultural resource for Stanford and surrounding communities to collaborate using performance.

CBPA hosts artist talks, creates classes and workshops, stages productions, and for many years published the Black Arts Quarterly, a literary arts journal.

Today, CBPA also supports graduate students and incubates new performance works led by IDA artist-in-residence and CBPA Artistic Director amara tabor-smith.

Committee on Black Performing Arts (CBPA) Artists’ Circle for Graduate Students at Stanford

The CBPA Artists’ Circle is a year-long gathering and development space to support graduate students with a strong art practice from any discipline who are interested in cultivating community with other artists whose work addresses themes such as, social and environmental justice, identity, spirituality, community engagement and belonging.
This year long program will be rooted in Black performance praxis and Black feminist thought as the basis for how we ground our time together. Meeting bi-weekly at Harmony House over the three quarters, we will discuss and share artistic practices and current works in progress, and draw from the ideas and writings of activists, artists and thinkers such as, Audre Lorde, bell hooks, Grace Lee Boggs, Alexis Pauline Gumbs, adrienne maree brown, Cherie Moraga and The Combahee River Collective.
Over the course of the academic year we will take field trips to bay area museums, galleries, performances and events relative to our art practices. We will also be joined occasionally by guest artists who will share their work, experience and process with us as we dialogue together throughout the year exploring questions of collective liberation, mutual support and artist sustainability in our current moment.
Members of the CBPA artist’s Circle will receive up to $500 ( over the course of the academic year for the cost of materials related to their project.
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Summer Graduate Artist Residency in Bahia, Brazil

During this five-week program, Stanford graduate student-artists will travel as a cohort to the state of Bahia, Brazil to be in residence at Sacatar Institute. Fellows will be joined in residency by a Brazilian artist during this time.

In addition to engaging with their individual creative projects and research, all fellows will take part in weekly discussions, lectures and site visits to learn about African-Bahian culture, and experience how local artists, academics, and activists are addressing issues of race, gender and environmental justice in their art and social practices.

 

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